‘I Saw the TV Glow’ Review: Jane Schoenbrun Explores the Dark Sides of Nostalgia in Their Standout Sophomore Feature | Berlinale 2024
Writer-director Jane Schoenbrun shook the film world with We’re All Going to the World’s Fair three years ago. In a swift move, the film announced... Read More
Savina Petkova
‘Cuckoo’ Review: Hunter Schafer takes on Dan Stevens in Tone Shifting Horror/Thriller Set in the German Alps | Berlinale 2024
We’ve all been eager to see Hunter Schafer in her first film role as a leading lady and now that the wait is over… we... Read More
‘Spaceman’ Review: Adam Sandler and Carey Mulligan Are the Star-Crossed Lovers We Didn’t Know We Needed | Berlinale 2024
More than just another film about an astronaut, Spaceman is here to give a new meaning to the phrase star-crossed lovers. Swedish director Johan Renck... Read More
‘Love Lies Bleeding’ Review: Kristen Stewart and Katy O’Brian Will Set Your World on Fire in Rose Glass’ Psychosexual Revenge Thriller | Berlinale 2024
All of you Saint Maud apologists, rejoice, for British rising star Rose Glass is back. Nothing screams comeback louder than a queer romance thriller where... Read More
‘Priscilla’ Review: Cailee Spaeny is Pitch-Perfect in Sofia Coppola’s Demythologized Look at the Presleys | Venice
Sofia Coppola is back on the Lido once again for the first time since she presented Somewhere in 2010. One of the most anticipated titles... Read More
‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice
Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his sophomore feature in Venice’s Official... Read More
‘The Promised Land’ Review: Mads Mikkelsen is Fierce and Stoic in Nikolaj Arcel New Nordic Western | Venice
The year is 1755, the place—Jutland peninsula which begins in Denmark and ends in Germany, the man—captain Ludvig Kahlen (Mads Mikkelsen). In what seems like... Read More
‘Anatomy of a Fall’ review: Justine Triet’s courtroom drama features an impeccable performance from Sandra Hüller at the helm | Cannes
With what is only her fourth feature film, French filmmaker Justine Triet has made a strong call for award recognition. After her 2019 Cannes Main... Read More
‘La Chimera’ review: Alice Rohwacher’s most accomplished work to date digs into life, love, and grave-robbing | Cannes
The concept of a chimera, however colloquialized, still remains a bit too abstract to pin down. If one approaches Alice Rohrwacher’s fourth feature, La Chimera,... Read More
‘The Pot Au Feu’ review: Trần Anh Hùng offers a feast for the eyes but is missing a key ingredient | Cannes
Have you ever cried when you tasted something for the first time? In The Pot Au Feu, the most mouth-watering edition to this year’s Cannes... Read More
14th Guild of Music Supervisors (GMS) Awards: ‘Barbie,’ ‘Daisy Jones and the Six’ Lead Wins 
38th American Society of Cinematographers (ASC) Awards: ‘Oppenheimer’ Wins Feature Film Prize 
71st Motion Picture Sound Editors (MPSE) Golden Reel Awards: ‘Oppenheimer,’ ‘Maestro,’ ‘Society of the Snow’ Top Film Wins 
74th American Cinema Editors (ACE) Eddie Awards: ‘Oppenheimer,’ ‘The Holdovers’ Take Top Film Honors
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