Interview: With ‘All of Us Strangers,’ Cinematographer Jamie D. Ramsay Choreographs a Story of Love
As soon as the very first frame of All of Us Strangers emerges onto the screen, it’s hard not to find oneself moved by the... Read More
Josh Parham
Josh Parham is a passionate observer of cinema and awards season, and has been from a very young age. He is a member of the Chicago Indie Critics and is also an established contributor to the website Next Best Picture. He has a love for all types of film, but is particularly an avid fan of the James Bond franchise and adores disaster movies with a devotion that confounds many. He also loves to indulge in any conversation that lifts LGBTQ perspectives in storytelling and excitedly advocates for them to be sought out. You can follow him on Twitter @JRParham
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‘Nope’ review: Jordan Peele’s latest horror construct is lofty in attempt but somewhat cloudy in execution [B]
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14th Guild of Music Supervisors (GMS) Awards: ‘Barbie,’ ‘Daisy Jones and the Six’ Lead Wins 
38th American Society of Cinematographers (ASC) Awards: ‘Oppenheimer’ Wins Feature Film Prize 
71st Motion Picture Sound Editors (MPSE) Golden Reel Awards: ‘Oppenheimer,’ ‘Maestro,’ ‘Society of the Snow’ Top Film Wins 
74th American Cinema Editors (ACE) Eddie Awards: ‘Oppenheimer,’ ‘The Holdovers’ Take Top Film Honors
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