Berlin Film Festival – Page 3

‘BlackBerry’ review: 90s nostalgia yields little cinematic juice in what feels like mid-TV at best | Berlinale

Savina Petkova February 17, 2023

BlackBerry, the follow-up to his 2016 docu-fiction Operation Avalanche, sees actor-director Matt Johnson put inventors, investors, and the internet to the test in a nostalgia-fueled... Read More

‘She Came to Me’ review: Peter Dinklage, Marisa Tomei and Anne Hathaway stun in ace rom-com dramedy | Berlinale

Ben Rolph February 16, 2023

The latest film from writer-director Rebecca Miller (Maggie’s Plan, Personal Velocity) starring Oscar winners Anne Hathaway and Marisa Tomei and Emmy winner Peter Dinklage, is... Read More

Berlinale 2022 review: Charlotte Gainsbourg shines in ‘The Passengers of the Night’ from Mikhaël Hers [Grade B-]

Savina Petkova February 17, 2022

The Passengers of the Night opens with a title card announcing the date: May 10th, 1981. In recent French history, that day marks the election... Read More

Berlinale 2022 review: Vincent Lindon and Juliette Binoche are bursting with love-drenched lust in Claire Denis’ love triangle drama ‘Fire’ (aka ‘Both Sides of the Blade’) [Grade A]

Savina Petkova February 15, 2022

A chance encounter, a glance in the right direction while flicking your hair, and it cannot be unseen: it is your former lover who you... Read More

Berlinale 2022 review: In ‘Taurus’, Machine Gun Kelly exorcizes his stardom [Grade B+]

Savina Petkova February 15, 2022

Almost a decade after Memphis (2013) depicted the spiritual journey of musician Willis Earl Beal, filmmaker Tim Sutton returns to the sombre world of music... Read More

Berlinale 2022 review: François Ozon’s ‘Peter von Kant’ plays out as an ambitious but flat homage to Fassbinder [Grade C-]

Savina Petkova February 10, 2022

It’s been 50 years since Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant premiered at Berlinale and to mark this anniversary, prolific French... Read More

Berlin Review: Céline Sciamma’s ‘Petite Maman’ starts a tender new chapter in a life cycle of girlhood

Sarah Williams March 3, 2021

Céline Sciamma has a tradition with names. Water Lilies‘ Marie, Girlhood‘s Marieme, and Portrait of a Lady on Fire‘s Marianne all share variants of the... Read More

Berlin Review: Things left unsaid makes Hong Sangsoo’s minimal ‘Introduction’ sing

Hugo Emmerzael March 3, 2021

The Korean auteur Hong Sangsoo shook up last year’s Berlinale competition with the unexpected comedic notes of the otherwise pensive The Woman Who Ran, a... Read More

Berlin Review: Dan Stevens is a perfectly dreamy robot in Maria Schrader’s delightful sci-fi romance of ‘I’m Your Man’

Hugo Emmerzael March 3, 2021

It’s a widely held belief that the earliest composed texts by mankind were of administrative nature. Tablets in Cuneiform scripts as early of approximately 3200... Read More