With the BAFTA, Critics Choice and USC Scripter in hand (and likely the WGA but those aren’t happening until a full month after the Oscars),... Read More
Adapted Screenplay
In Original Score we have just two that have gone all the way with the most precursors an Oscar category has: BAFTA, Golden Globe, Critics... Read More
With the writers branch of the Academy declaring the screenplays for both Greta Gerwig’s Barbie and Ava DuVernay’s Origin must compete in Adapted (and not... Read More
Keeping Barbie in Original Screenplay for the time being, where its WGA designation is, until the Academy deems it otherwise and likewise Ava DuVernay’s Origin... Read More
The top three in both Adapted (Oppenheimer, Killers of the Flower Moon, Poor Things) and Original (Barbie, The Holdovers, Past Lives) remain in place and... Read More
After weeks of debate and discussion among awards fans and pundits, Warner Bros officially announced it will run the Greta Gerwig and Noah Baumbach-penned Barbie... Read More
Barbenheimer strikes again, as Barbie and Oppenheimer each rise to the top spot of the respective screenplay categories, original and adapted. I know there is... Read More
Not a lot of movement in the screenplay categories this month; Apple’s Killers of the Flower Moon and Universal’s Oppenheimer should be able to maintain... Read More
Amazon/MGM has officially dated Rachel Morrison’s Flint Strong, written by Academy Award winner Barry Jenkins and starring Ryan Destiny and Academy Award nominee Brian Tyree... Read More
I’m kicking off my early 2024 Oscar predictions this season with Adapted Screenplay and Original Screenplay, a full four months earlier than last year. Why?... Read More
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